The Death of a New Musical

While everyone is flapping their gums and their wings worshipping Mike Daisey and his takedown of the regional theatre movement (I'm going to be weighing in very soon, and no, you won't like my view), everyone should read Chris Jones' analysis in the Chicago Tribune of the life and death of a new American musical at the Goodman in Chicago. Gosh, remember when first-string critics in New York used to do reporting like this?

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